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Anastasia Kopittseva

22 January
GROUP EXHIBITION "THE TERRITORY OF THE STARS"

GALLERY OF FINE ART  

01/22/2019 - 03/03/2019

 Participants: Andrey Arkhipov, Alexey Vasilyev and Dmitry Gorbunov Dmitry Kolistratov,WeldQueen, Anastasia the pedal, Ivan Korshunov, Marika Anton Krasin Krivulya Anastasia Kuznetsova-Ruf, Timofey Smirnov, Rostand Tavasiev,Zmogk(Constantine Danilov). The project involves young artists, some are constantly working with the "Fine Art", while others participated in several projects, gallery, and the first five authors on this list for the first time present their works in the gallery space.

 

   Star - ancient sign, symbol, object, and has a lot of meanings, values ​​and uses. Accordingly, the artists were absolutely free to choose their concept papers and plastic images embodiment designs. As a result, this project brought together artists of different styles and directions.

 

   Andrey Arkhipov saw his star in the space of the Baroque. His dynamic compositions comprise beautiful nude youths, sensual physicality of the images full of naturalism, however, where predominates beautiful, ethics rests. A riot of motion fills the expressive canvas Alexey Vasiliev. Of course - the dance, of course - rock 'n' roll! Cloth Dmitry Kolistratova "Not life, but a fairy tale" transforms reality into the fantastic world of children's perception, fills it impossible, but the beautiful inhabitants. It also works from the series "Souvenirs" effortless to see, such as MSU and St. Basil's Cathedral, the contour image which the author veiled saturated color. Each capital has its "star" facilities, historical importance which, as it were "zamylivaetsya" and they themselves turn into souvenirs for tourists. In the children's country of fairy tales takes us and Ivan Korshunov. It seems that the artist started a chicken-Ryaba that laid Faberge eggs from which hatch and star kids.

 

   Impulses of artistic images Anastasia the pedal arise in science, space, the origin of life - at the heart of artistic metaphors of the author. Marika Anton Krasin Krivulya are in constant motion in the space of the world, they have gone from denial to return to the culture and way of ritual. As a result of their work, they have dug for a while in the ground and then removed, as were stories of witnesses. Space painting Ruth A. Kuznetsov-filled air, the air of night, full of deep blue color, which is so well-regarded Star, comfortably sitting on the roof of the house ( "Banner"). Timofey Smirnov absolutely mischievous way severed familiar to all from childhood star of the towers, they are crowned, and put them in different landscape conditions and even forced them to talk!

 

  Dynamic abstract compositions Rostand Tavasieva written in them is created by the technique of "begemotopisi" when instead of a brush to paint the artist puts a stuffed animal and together with it creates a work, leaving it forever his collaborator. As a result, a toy, such as a teddy bear or bunny, as a continuation of the hands of the author symbolizes the eternal creator of the presence in the film. Constantine Zmogk   - artist street - art , his abstract compositions he creates objects on the street and as a chamber work. Color - shape - movement - that its signs dynamic abstract paintings. And again in the tale refers  Weld Queen . So comfortable doing selfie in the womb of her sculptures Slonburger.

   The artist is free, and to proclaim himself a star, for, as Schopenhauer wrote, modesty - the only virtue grayness, and titanium can safely say, I - titanium, I - genius! Biographies together with them to create a gallery, some of the authors are famous. In this sense, the gallery can be viewed as a stellar nursery. Gallery - the territory of the stars!   Irina Filatova.

 

The exhibition is held in MMOMA at 25 Petrovka

   In April 2019 marks 27 years of the Gallery "Fine Art". A lot or a little - a quarter of a century? We can not see the time, but we can feel it in the emotional-sensual sphere, the life of the art for years, centuries, eras, in the form of buildings. cities in the collections of museums in the direction of the gallery. Time pervades art and is through it.

   Gallery "Fine Art" was established in 1992. It was a special time. It's only been 5 years since the moment when the "so it became possible to all!". Life boiled stocks performances, manifestos, the exhibition presents the installation, the first video, photography, objects. Picture, round sculpture was anathematized together with quality, by which somehow knew only a craft, have become the main context and new technologies. All were young, cheerful, enthusiastic burning building and the overthrow of that time looked like bondage.

   Future gallery owners also were keen on a rapid process of contemporary art. However, in determining the concept of Gallery, it was decided not to break with the traditional visualization and do not change "plastic values" and that art should not be dependent on social and political issues. We therefore differed sharply while other galleries and have often been criticized for the presentation of "manual arts" - painting, drawing. But if you look at the composition of the participants have the very first exhibitions, as it is known on the one hand nonconformists, for example - I.Vuloh, S.Shablavin V. Koleichuk, L.Kropevnitsky, and on the other - the young radical authors - G.Litichevsky , A.Nasonov, I.Kitup, V. and N.Cherkashiny, it is clear from the outset "Fine Art" was engaged in projects in the context of contemporary art. Subsequent exhibitions of artists such as E.Gorohovsky A. Grositsky, I.Shelkovsky, A.Vinogradovi & V.Dubosarsky, K.Zvezdochetov, A.Filippov, A.Bartenev, D.Shorin, and later - A. Kuznetsov -Ruf, I.Korshunov, T.Smirnov et al. indicate the stability of the Gallery and the constancy of the chosen path. We create more style in modern art. Our projects from the first days of great interest on the part of the critics and the press, heated discussions.   

   Over the years, the Gallery worked together more than 100 artists. With sadness we remember the deceased, at the same time, we are already working with young authors - peer Gallery. "Fine Art" participated in the formation of a number of major collections, such as I.Markina - Museum A RT 4. RU , the Cultural Foundation "Ekaterina" A.Chehoeva - "New Museum", Bondarenko, M.Tsareva, O.Zalomova , D.Ryabova, I. Tyryshkina. Gallery has held more than 250 exhibitions, including MMOMA (2009, 2011), the State Russian Museum (2004, 2011) and others.  

   In the exhibition "Apology errors" reflects the 27 years of the Gallery "Fine Art" in contemporary art. Gallery did not stop work for one day. At the same time we have always been independent in artistic policy, the choice of artists. This exhibition - how to report Galleries quarter of a century, it involved a significant part of the artists who worked with us. In compressed form the audience will see the path traversed by us, as well as some plans for the future. Of course, for such a long period we were errors, but their apology for the story itself is both Gallery and what we confidently entered a new 25th anniversary, and we continue to work actively on the art scene of contemporary art.         Irina Filatova.

 


Media about the exhibition:

Nezavisinaya newspaper: "glad to deceive"

REN-TV: here

News: here

Moskva24: here

 

25 December, 2018
interview for berlogos.ru

 

http://www.berlogos.ru/interview/anastasiya-kopytceva-interer-preobrazhaetsya-kogda-tam-poyavlyaetsya-iskusstvo/?fbclid=IwAR1QMFitHKgnqsotYsQG3URNDn8aFTxTWl8BFffhO0TaOYDCcMIIB9-HQCw

25 December, 2018
GQ

https://www.gq.ru/entertainment/na-kakie-vystavki-idti-v-dekabre?fbclid=IwAR23T2YmasCP9mqNU-baZDQENKW1vhDmJgceLmPkM9Vp_3wCA41HPsIN2Q8

4 December, 2018
THE EXHIBITION "APOLOGY ERRORS" IN MMOMA

 

GALLERY OF FINE ART

APOLOGIA misleading

Painting, installation. sculpture, photography, 11.12.2018-13.01.2019

The exhibition is held in MMOMA at 25 Petrovka

   In April 2019 marks 27 years of the Gallery "Fine Art". A lot or a little - a quarter of a century? We can not see the time, but we can feel it in the emotional-sensual sphere, the life of the art for years, centuries, eras, in the form of buildings. cities in the collections of museums in the direction of the gallery. Time pervades art and is through it.

   Gallery "Fine Art" was established in 1992. It was a special time. It's only been 5 years since the moment when the "so it became possible to all!". Life boiled stocks performances, manifestos, the exhibition presents the installation, the first video, photography, objects. Picture, round sculpture was anathematized together with quality, by which somehow knew only a craft, have become the main context and new technologies. All were young, cheerful, enthusiastic burning building and the overthrow of that time looked like bondage.

   Future gallery owners also were keen on a rapid process of contemporary art. However, in determining the concept of Gallery, it was decided not to break with the traditional visualization and do not change "plastic values" and that art should not be dependent on social and political issues. We therefore differed sharply while other galleries and have often been criticized for the presentation of "manual arts" - painting, drawing. But if you look at the composition of the participants have the very first exhibitions, as it is known on the one hand nonconformists, for example - I.Vuloh, S.Shablavin V. Koleichuk, L.Kropevnitsky, and on the other - the young radical authors - G.Litichevsky , A.Nasonov, I.Kitup, V. and N.Cherkashiny, it is clear from the outset "Fine Art" was engaged in projects in the context of contemporary art. Subsequent exhibitions of artists such as E.Gorohovsky A. Grositsky, I.Shelkovsky, A.Vinogradovi & V.Dubosarsky, K.Zvezdochetov, A.Filippov, A.Bartenev, D.Shorin, and later - A. Kuznetsov -Ruf, I.Korshunov, T.Smirnov et al. indicate the stability of the Gallery and the constancy of the chosen path. We create more style in modern art. Our projects from the first days of great interest on the part of the critics and the press, heated discussions.   

   Over the years, the Gallery worked together more than 100 artists. With sadness we remember the deceased, at the same time, we are already working with young authors - peer Gallery. "Fine Art" participated in the formation of a number of major collections, such as I.Markina - Museum A RT 4. RU , the Cultural Foundation "Ekaterina" A.Chehoeva - "New Museum", Bondarenko, M.Tsareva, O.Zalomova , D.Ryabova, I. Tyryshkina. Gallery has held more than 250 exhibitions, including MMOMA (2009, 2011), the State Russian Museum (2004, 2011) and others.  

   In the exhibition "Apology errors" reflects the 27 years of the Gallery "Fine Art" in contemporary art. Gallery did not stop work for one day. At the same time we have always been independent in artistic policy, the choice of artists. This exhibition - how to report Galleries quarter of a century, it involved a significant part of the artists who worked with us. In compressed form the audience will see the path traversed by us, as well as some plans for the future. Of course, for such a long period we were errors, but their apology for the story itself is both Gallery and what we confidently entered a new 25th anniversary, and we continue to work actively on the art scene of contemporary art.         Irina Filatova.

 


Media about the exhibition:

Nezavisinaya newspaper: "glad to deceive"

REN-TV: here

News: here

Moskva24: here

 

29 November, 2018
DIGITAL ART OF INVESTING

 

20 November, 2018
"Digital disruption"

DIGITAL DISRUPTION

Painting, installation. 21.11.2018-18.01.2019

"Gallery "Fine Art" exhibition for the first time shows the young artist Anastasia the pedal. Her project is made in classical technique, in the heart of it - the picture, and fans of the plastic box may be able to enjoy the luxury, artfully painting. At the center of most of the works - a shark, or gray, or red, dynamic, raketoobraznoe her body, it seems, is carried forward. The general tone of the dark canvases, grafitoobrazny, but, despite this, there is a feeling of a certain glow, specular. This impression is reinforced by the fact that on each canvas field contains an image, for example, an infinite number of "pi", Arabic or Roman numerals, binary code,  QR  code, etc. until blokcheyna symbol.

   Together canvas Anastasia the pedal as a mirror reflects the major discoveries in the history of the development of the digital world. However, this is just one of the many meanings of the artist's works. In her project for the viewer suddenly artistic creative thinking combined with an understanding of basic business properties. Her metaphors - canvas as a mirror of the world's history of significant inventions, the shark - as a symbol of progressive mankind, rapidly transforming business and society based on new discoveries. This transition from "before" to "after" is not evolutionary, rather abruptly. Anastasia, this transition makes red shark portrayed front of the plane of the canvas, a mirror, after the opening of the predator loses its elegant red. And now we are seeing it in the gray space behind the mirror-canvas. Anastasia fulfill the dream of many - to enter a parallel world, through the looking glass. Note, people have been living in two parallel realities - in the world and the virtual, this transition took place immediately with the invention of the Internet.

   All of the foregoing corresponds to the stated author's conception. However, looking at the work of Anastasia the pedal, you come to believe this is not all. In her work clearly and vividly manifested processes may pass in the subconscious of the author, and broke into the canvas against the will of the artist. Red Shark only at distant sight of her seems smart, she even associated with goldfish. Near you can see the wounds on the body of a shark, and a jet of blood stains. The author explains this by the fact that the progressive race is not always comfortable for the society, but it seems more correct different meaning. Shark - a symbol of brutal, predatory masculinity. Man rules the world, but in the fight with him a woman sometimes severely injure him. Wounded Red Shark gray or prostrate and thrown in the mirror - the symbols of the place of women, feminist men. Maybe it was revenge girls artist quite particular man?

   Anastasia has created her magical mirror on canvas, show us the parallel zazerkalnogo space. It would be interesting to carry out an ancient ritual of divination - in absolute darkness, with candles. Who or what appear to us through the mirror of the artist in addition to the spent gray shark? In this direction, we carried out experiments for the pictures being monitored. "

 Irina Filatova.

http://artguide.com/events/14115?fbclid=IwAR3h1167RphogJp8qh6I7agWcts-yS0_Ffq0OXRh4Onh4SQUNI_sfsjkaVQ

2 November, 2018
interview for snob.ru
1 March, 2018
«Antibes Art Fair»

 2018

 Esplanade du Pre des Pecheurs, Antibes

3 November, 2017
"Connection" in Erarta Museum